Sound files for suzuki tremolo chromatic




















Make an offer:. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. The playing style is similar to the traditional sliding chromatic harmonica. It is new item from japan. See all 17 brand new listings. Buy It Now. Add to cart. Sold by joylivingshop-japan About this product Product Identifiers Brand. Additional Product Features Custom Bundle. Show More Show Less.

New New. Last one Free shipping. See all 17 - All listings for this product. Ratings and Reviews Write a review. Most relevant reviews See all 9 reviews. Not very loud The beat created by the de-tuned reeds is a bit weak and inconsistent on some notes.

Great sound and playability for the Dreamer of Muslc! Awesome sound and great playability. Browse Wishlist. The product is already in the wishlist!

Description Reviews 0 Description The revolutionary new Suzuki SCT Professional 16 hole Tremolo Chromatic Harmonica reflects the highest achievement in harmonica manufacture by combining technological breakthroughs with experience gathered since New, unique, different, innovative.

All words that describe the most exceptional harmonica ever produced. Just to look at and feel the SCT is an experience onto itself. The beautiful compact and streamlined organic body has a unique shape that you will never want to put down. However, these game techniques require great practice and skill on the part of the player and are particularly unsuitable for beginners. Furthermore, no chromatic harmonicas for producing a tremolo tone are described in which the tone produced has a full, powerful sound.

With a chromatic harmonica according to the US 2,, the damping plate must be operated by the player in particular in order to generate tremolo effects in rapid succession. This technique dampens the tone amplitude, so that a full sound of the played tone is not produced. In contrast to a chromatic harmonica according to DE C. The intervals of the two reeds of the present invention are chosen so that the main tone is modulated by an oscillation.

This frequency modulation is perceived by a listener as a trembling sound. Innerhalb einer Kanzellenkammer ist somit jeweils ein tandemartig angeordnetes Stimmzungenpaar in einer Kanzellenkammer angeordnet. In a particularly preferred embodiment it is envisaged that each law firm will have an additional one Partition is divided into two chambers, the length of the Partition shorter than the longitudinal extension the firm is.

Within a chamber is therefore each a pair of reeds arranged in tandem in a comb chamber arranged. This arrangement divides the air into one Pulpit through the partition in two different ways flows into the left and right side chambers. Each pair of reeds is in this embodiment in its own resonance room. The volume of one in this resonance room generated tone is thus amplified again. By the vibration of two reeds each within two chambers of a chamber can therefore advantageously the fullness of tone in a chromatic harmonica according to the invention generated tremolo tones can be further amplified.

Auf der entgegengesetzten Seite der Stimmplatte, auf der die Stimmzungen angeordnet sind, befinden sich Stimmzungendeckel. Ziehton auf den entgegengesetzten Seiten der Stimmplatte. Diese Anordnung bietet den Vorteil, dass Blas- bzw.

In a preferred embodiment a chromatic according to the invention Harmonica is intended to generate the two reeds a drawing tone on the upper side of the lid facing the lid Reed plate and the two reeds to create a blastone the lower, the body of the comb facing side of the reed plate are arranged. On the opposite Side of the reed plate on which the reeds are arranged, there are reed covers.

Basically, there are reeds for blowing or drawing tone on the opposite sides of the reed plate. This Arrangement has the advantage that blowing or drawing tones in different resonance chambers are generated and so unwanted overlays vibrations that might be suitable are avoided, tremolo tones of the harmonica according to the invention to negatively influence or even inhibit.

So wird ein ungewolltes Mitschwingen der Ziehstimmzungen beim Einblasen von Luft vermieden und umgekehrt. The Close the reed cover the opening in the reed plate, which belongs to the reed, due to the direction the air is not supposed to be scanned. So an unwanted one Avoid swinging of the pulling tongues when blowing in air and vice versa. The Fastening a reed with a screw or rivet, is located at the end of the reed, the direction that from which the game air flows in, is facing.

Furthermore, the reed is on the side of the Opened reed plate on which the game air flows in. According to the invention, that the two reeds to produce a draw or blast tone by a defined pitch interval of a major or minor scale from each other differ.

Is there a different mood of the two reeds in a defined tone interval, this is advantageous chosen so that the fundamental tone as overtone or undertone in which by the deviating tuned reed resonates with the generated sound. That's the modulation the vibration of the fundamental tone, since the vibration of the overtone or undertone that resonates absolutely exactly the vibration of the fundamental, which is caused by the other Reed is generated will correspond.

But they are all too further tone intervals and moods for the differently tuned reed conceivable. Prefers are in a chromatic according to the invention Harmonica, the two reeds of the two pairs of reeds inside a comb to produce a blowing or drawing sound in terms of the direction of flow the game air side by side or staggered.

If the Reeds are staggered, it follows that each the two diagonally lying two reeds of the A total of four reeds from a firm at the same time, depending on the direction of flow the game air can be vibrated. Durch den Schieber kann der Lufteinlass bzw.

Depending on the embodiment, a chromatic harmonica according to the invention has 16 or 32 combs on the top and bottom of the comb body. The embodiment is dependent on the sound spectrum or the number of octaves that should be playable by the harmonica.

The reeds of the upper and lower comb, which are alluded to by opening the mouthpiece, do not belong to the same key. The combs on the top and bottom of the comb body either alternately belong to one of the two keys in which the chromatic harmonica is tuned or to the same of the two keys.

The air inlet or outlet of the Game air can be controlled in the upper or lower chambers, the slide being designed as a longitudinal slide with cutouts. The slider also controls that only tones of one of the two keys can be played. The Reeds of a harmonica according to the invention are advantageously made of metal, brass or steel manufactured.

Ein Verfahren zur Erzeugung eines Tremolo-Tones in einem Blasinstrument mit Kanzellen, welche durch eine Stimmplatte abgeschlossen werden, auf denen Stimmzungen angeordnet sind, ist ebenfalls Gegenstand der vorliegenden Erfindung. Ein derartiges Verfahren ist durch die folgenden Verfahrensschritte gekennzeichnet:.

The line labeled "B" indicates the section plane of the view in 2 B on;. With "A" is a section plane through the left chamber and "A '" through the right chamber;. The body of the comb 10 is in a variety of law firms 15 divided, side by side and in pairs on top of each other, by the central web 22 separated, arranged as a double row. The law firms 15 are in the embodiment shown with partitions 17 , the length of which is not the full length of a comb 15 corresponds, in chambers 16 divided.

The body of the comb 10 is through an upper 11a and a lower reed plate 11b completed. That is the body of the comb 10 enclosing harmonica housing with a corresponding resonance room is not shown. Behind the mouthpiece 19 is the slider 18 , Between slider 18 and comb body 10 is the perforated plate 20 , The perforated sheet 20 assigns one of the number of chambers 15 corresponding number of access openings 26 on.

The slider 18 , has fewer holes than chambers 15 available. Through an opening in the mouthpiece 19 are the canals located behind each other in pairs 15 played. Through the slider 18 is regulated whether the upper or lower comb 15 is played because this alternately has upper and lower holes.

Die Stimmzungen sind durch die Stimmzungenbefestigung 14 an der jeweiligen Stimmplatte 11a , 11b befestigt. Auf den Stimmplatten 11a , 11b wird das erste Stimmzungenpaar durch eine Stimmzunge zur Erzeugung eines Ziehtones 12 und eine Stimmzunge zur Erzeugung eines Blastones 13 in dieser Abbildung nicht sichtbar , welche tandemartig angeordnet sind, gebildet. Die Stimmzungen zur Erzeugung eines Blastones 13 , 13a sind in dieser Abbildung nicht sichtbar, da sie durch die Stimmzungendeckel 21 verdeckt werden.

Bei den Ziehstimmzungen sind die Stimmzungendeckel 21 auf der Stimmplatte 11a auf der Unterseite angeordnet und daher in dieser Abbildung nicht sichtbar. To every office 15 belong to two adjacent reed pairs On the reed plates 11a.

In addition to the first pair of reeds, the second is to a pulpit 15 appropriate pair of reeds, consisting of another reed to produce a drawing tone 12a and another reed to create a blast tone 13a not visible in this figure. The reeds to create a blast tone The reed cover 21 prevent both the blowing and the pulling reeds from allowing air to flow past the reeds, which cannot flows in the direction intended for the respective reeds.

For example, the blown reeds The reed covers are for the pull reeds 21 on the reed plate 11a arranged on the underside and therefore not visible in this illustration.

In 1 sind die beiden Stimmzungen zur Erzeugung eines Zieh- oder Blastones einer Kanzelle 15 versetzt diagonal angeordnet. Je eine der beiden Stimmzungen zur Erzeugung eines Zieh- oder Blastones z.

In den beiden Kanzellenkammern 16 einer Kanzelle 15 wird jeweils ein Stimmzungenpaar 12 , 13 oder 12a , 13a angespielt und es dient jeweils eine Stimmzunge zur Erzeugung eines Ziehtones 12 und eine Stimmzunge zur Erzeugung eines Blastones In the two chambers 16 a law firm 15 a pair of reeds For the top, at the left end of the reed plate 11a lying office 15 is the way the game air blows through the mouthpiece 19 into the associated left and right chambers 16 schematically shown as a branching, dashed line.

The previous description for the upper reed plate 11a is analogous for the lower reed plate shown 11b valid. The names of the reeds have to be replaced as follows: 12 by Dadurchden Deckel 25 entsteht der Resonanzraum oberhalb der Stimmplatten 11a , 11b. Seitlich ragt der Schieber 18 mit dem an seinem Ende befindlichen Knopf heraus. Both on the upper side visible in this figure and on the underside, not shown, the chromatic harmonica according to the invention is through the cover 25 completed.

Furthermore, the slider 18 with button on the side, the edge of the comb 10 , the edge of the perforated plate 20 and the mouthpiece 19 visible from the outside. Thereby the lid 25 the resonance room is created above the reed plates 11a. The dashed line labeled "B" indicates the position of the cutting plane "B". In 2a is a frontal view of the mouthpiece 19 represented a harmonica according to the invention.

Above and below the mouthpiece are the top and bottom lids 25 the slide is visible and to the side 18 with the button at the end. Through the opening of the mouthpiece 19 the view is clear through the openings of the slider 18 each approved law firm 15 , The illustration shows that each opening of a mouthpiece 19 either the upper pulpit behind it 15 or the lower pulpit 15 can be alluded to.

With "A" is a section plane through the left chamber chambers 16 and with "A '" through the right chamber 16 a law firm 15 through an opening of a hole in the mouthpiece 19 be referred to. Zwischen Deckel 25 und Stimmplatte 11a , 11b befindet sich der Resonanzraum Eine Kanzelle 15 ist durch die Trennwand 17 in zwei Kanzellenkammern 16 unterteilt. Die Stimmzunge zur Erzeugung eines Blastones 13a ist auf der Unterseiten der Stimmplatte 11a angeordnet. Die Stimmzunge zur Erzeugung eines Ziehtones 12 ist auf der Oberseite der Stimmplatte 11a angeordnet.

In cross section are the lids 25 the harmonica, the body of the comb 10 as well as upper and lower reed plates 11a. Between lid 25 and reed plate 11a. A law firm 15 is through the partition 17 in two chambers 16 divided. In the frontal view are the two front reeds 13a. The reed to create a blast tone 13a is on the underside of the reed plate 11a arranged. On the upper side of the reed plate opening belonging to this reed is a reed cover 21 attached, which prevents air from flowing past the blowing tongue when a drawing tone is generated and causes it to vibrate.



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